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Born in Germany.

Julia Kreiss lived in South Africa from 2005 to 2008 together with her mycologist husband, Wolfgang Mayer, while his was doing research on rust fungi in FABI as a postdoctoral fellow.

Prior to their time in South Africa, Julia received her formal training in Classical Art Restoration in Germany. However, after spending one year on restoring a one square meter roof painting in a gothic cathedral, her creative spirit became frustrated and she started teaching art to children. During her stay in South Africa, FABI commissioned her to create the artwork for three of FABI’s annual Seasonal Greeting cards on themes related to research projects in FABI. The works on display are the original works created for these cards.


Acacia karoo (2006) 


Blister beetle on rust gall (2006) 


King Protea (02/2007)


Born in 1942, Vryheid, KwaZulu Natal - died in 1999.

Sibiya was inspired from an early age by ideas of the mystical and abstract as a result of frequent visits with his father to the Sangoma. The boy would ‘borrow’ some of the healers’ artefacts, attempt to recreate them at home, and return them promptly before anyone would notice their disappearance.

Sibiya grew up in the colourful neighbourhood of Sophiatown, but due to the politically motivated destruction of the area the 1950s, his family had to relocate to Soweto. He went to school in Hammanskraal where the young boy experimented with woodcarvings. Before completing his school education, Lucky introduced himself and some of his painted 'found' objects to Cecil Skotnes, who was at the time one of South Africa's foremost contemporary artists. Skotnes was head of the Polly Street Art Centre in Johannesburg and was eager to accept Sibiya as a private pupil. 

Sibiya took folklore and traditional mediums and images to a new level of sophistication. However, they maintained their raw and ritualistic feel. Over time, his wood carvings evolved towards his distinctive engravings, coloured by rubbing powdered pigments into them.

Lucky Sibiya’s works are still some of the most distinct and desirable throughout the art community, and exhibited in many galleries.


 


Born 1945, Ghanzi district, Botswana - died 1995.

The San artist Qgoma Ncokg’o was a participant of the Kuru Art Project (see below). Art was not his primary occupation and his works are rarely seen or exhibited. In 1993 one of his artworks was chosen as theme for a postal stamp of Botswana.

As a typical San artist he was fascinated by nature. He tried to capture his own perception of nature on paper as replacement for the traditional rock. His works also depicts the spiritualism of his tribe that revolves largely around natural objects.


KURU ART PROJECT

The Kuru Art Project is a project of a community trust called the Kuru Development Trust. It is situated in D’Kar, a small settlement in western Botswana. In contemporary Africa, the San artists of the Kuru Art Project bring back the role of art as an expressive outlet for their traditions and recent life experiences, as their ancestors had done in the many rock paintings all over Southern Africa.  The Kuru Art Project encourages and assists these artists by exposing them to contemporary art materials and techniques and the administration and marketing of their art which became a much needed economic resource for this group of artists and their community.

 


Born in 1969, Twee Rivieren, Kgalagadi Transfrontier Park National Park - died in 2007, on the farm Blinkwater where he lived, just outside the Park.

Vetkat Kruiper Regopstaan Boesman was a member of the Khomani San tribe who lived in the now Kgalagadi Transfrontier Park. His father was a healer and crafter in his community, and clearly had a huge impact on Vetkat’s knowledge and understanding of San culture and customs. He is one of very few San artists who sustained the ‘lost’ (according to some) tradition of San rock art, but with ink on paper as medium. The animality, spirituality and symbolism in Vetkat’s works has been the topic of several academic studies (see below).

Vetkat’s works are in private collections at the Natal Museum Services, the McGregor Museum at Kimberley and the University of Pretoria. From 2002 to 2005 his art was displayed at the United Nations (UN) as part of an exhibition of indigenous art, while his 2004 tour of the United States of America culminated in his addressing the UN.

Shortly before his death in 2007, Vetkat was invited by the Department of Built Environment at the University of Pretoria to do a solo exhibition on the UP campus. All the works on exhibit were purchased by the University, and constitutes the largest assemblage of the artist’s works in a single collection.


 


 


 


 


 


 


 


 


 


 


 


 


 


 


New Publications

Yan Z, Zhao Y, Meng X, Gao M, Si H, Zhao G, Bose T, Chang R. (2026) New manganese-oxidizing Acremonium-like fungi from halophytic rhizospheres in the Yellow River Delta, China. Mycologia :1-13. 10.1080/00275514.2026.2627133
Eshetu FB, Barnes I, Nahrung HF, Fitza KNE, Slippers B. (2026) A Century of invasion: How biosecurity influenced populations of Sirex noctilio and Its fungal symbiont in Australasia. Molecular Ecology 35(6):0962 - 1083. 10.1111/mec.70311
Ribeiro MF, Cavallini G, Solce GN, Favoreto AL, De Souza Passos J-R, Barbosa LR, Hurley BP, Wilcken CF. (2026) Cold storage of Gonipterus platensis (Coleoptera: Curculionidae) eggs for Anaphes nitens (Hymenoptera: Mymaridae) rearing. PeerJ :1-14. 10.7717/peerj.20903 PDF
Pham NQ, Marincowitz S, Marpaung YMAN, Tarigan M, Wingfield BD, Wingfield MJ. (2026) Two Cryphonectriaceae species from Eucalyptus leaves in North Sumatra and their stem inoculation outcomes. Fungal Systematics and Evolution 17:69–79. 10.15761/fuse.2026.17.05 PDF
Nickles GR, Stokes CK, Narh DL, Lynn KMT, Fuqua SR, Bryan C, Allen BM, Bivins CP, Bok JW, Brewer JS, Buthelezi ST, Clark JPRM, Coon KL, Corby LR, Coetzee MPA, Dewing C, Duong TA, Harris MA, Keller NP, Kopotsa K, Lane FA, Nichols HL, Nieuwoudt A, Nuñez MA, Medina Munoz ME, Park SC, Pham NQ, Ryan KT, Solís M, Vilgalys R, Wallace JM, Wang YW, Wingfield BD, Wingfield MJ, Worley TK, Zallek TA, Zamanian M, Hoeksma JD, Drott M, Pringle A. (2026) Equipped for success: Genomes and metabolites of the European Amanita muscaria are conserved in its novel South African range. New Phytologist 10.1111/nph.71064
Pham NQ, Wingfield MJ, Duong TA, Wingfield BD. (2026) Draft genome sequence of Elsinoe masingae: the causal agent of Eucalyptus scab in South Africa. Australasian Plant Pathology 55:37. 10.1007/s13313-026-01082-5
Pham NQ, Marincowitz S, Wingfield BD, Crous PW, Santos SA, Durán A, Tarigan M, Wingfield MJ . (2026) Pseudoteratosphaeria supramediana sp. nov. (Teratosphaeriaceae, Mycosphaerellales), a new foliar pathogen on Eucalyptus in Indonesia. Australasian Plant Pathology 55:28. 10.1007/s13313-026-01092-3
Nel WJ, Jali S, Barnes I, Wondafrash M, Hurley BP. (2026) Outbreaks of a native jewel beetle, Agrilus grandis (Coleoptera: Buprestidae), on commercial black wattle, Acacia mearnsii, plantations in South Africa. African Entomology 34(1):1-5. 10.17159/2254-8854/2026/a24625
Postma A, Klynsmith L, Duong TA, Allison JD, Smidt W, Waterhouse RM, Lesny P, Oeyen JP, Petersen M, Martin S, Liu S, Zhou X, Ziesmann T, Donath A, Mayer C, Misof B, Niehuis O, Peters RS, Podsiadlowski L, Coetzee MPA, Joubert F, Slippers B. (2026) Genome and transcriptome-based identification and expression profiling of chemosensory gene families across developmental stages and tissues in Sirex noctilio (Hymenoptera: Siricidae). Insect Molecular Biology :1-14. 10.1111/imb.70029
Aylward J, Visagie CM, Roets F, Wingfield BD, Wingfield MJ. (2026) Genome analyses reveal two novel species of Seiridium from Acacia mearnsii. Mycological Progress 25:8. 10.1007/s11557-026-02121-7