Born in Australia.
Allistair was a postdoctoral fellow in FABI from 2014 to 2017. He is a mycologist interested in the systematics and identification of fungi. He has also worked as a science and maths teacher in the Australian state and private education systems. Allistair says “I take any opportunity to be creative, and science has largely inspired my portfolio of artwork on RedBubble.com”.

Ceratocystis is my mistress; Abstract Ceratocystis, Endoconidiophora, and Huntiella.

Abstract rust teliospores; Teliospores of Sphaerophragmium, Puccinia, and Uromycladium inspired by species from South Africa.

Oh oh oh Oomycete; Abstract Phytophthora, Pythium, and Plasmopara.
Born 1914, near Rustenburg - died in 2010.
Barnard studied at the University of Pretoria and painted for nearly 80 years of her life. During her career as one of South Africa’s most important woman artists, she represented the country at a number of international exhibitions, including the Xie Grand Prix International d’Art Contemporian de Monte Carlo in Monaco (1977), the 5th International Biennale for Graphic Art in Italy, the Gulbennkaian Exhibition in Portugal (1968), the Venice Biennale (1956 and 1964), and the São Paulo Biennale (1957, 1959, 1961 and 1963). She also exhibited in countries such as Austria, Germany, Spain, Greece and Israel to name a few. Her tapestries, paintings, and murals in oils have been commissioned both for public, museum and private collections in South Africa and abroad. She has won several major art awards, and received two honorary doctorates from South African universities.
The Art Historian, Muller Ballot, says the following about her work:
"The central message in her works… is certainly related to the artist’s serious search for a reconciliation of earthly and transcendental perspectives on human existence. Her reaching out to esoteric horizons, to the boundaries of time and space… seeks fulfilment in the symbolic values of the human figure. Sometimes these occur with, for example, strange alien beings, primeval animal forms, arrows and sharp triangular shapes."

Born in Vietnam.
Nam comes from Vietnam and joined FABI for postgraduate study in 2016 and is currently a PhD candidate in the Institute. Growing up with science runs in the family, Nam says, “I have long nourished an ambition to become a well-known plant pathologist.”
This kinship with the natural science world is the basis for his artwork. He is always trying to reach beyond the traditions, in which plant materials and different paint textures are usually brought together in a surface to describe the harmony he sees in nature and the universe. As a self-taught artist, Nam says he experiences peace during the process of creating his artworks.

Born in 1974, Polokwane, South Africa.
Wilsenach completed a BA (Fine Arts, 1996) and a MA (Fine Arts, 2002) from the University of Pretoria. He furthered his studies at the Accademia di Belli Arte in Genova, Italy (2004) and the Kunstakademie Düsseldorf, Germany (2005-2006), with governmental bursaries from the respective countries.
He has participated in numerous solo and group exhibitions both in South Africa and abroad in prominent galleries and museums, such as the Pretoria Art Museum, Palazzo Ducale in Genoa, Villa Croce Museo d'Arte Contemporanea di Genova, Museum für Angewandte Kunst in Vienna, the Smithsonian Institute's Museum for African Art in Washington D.C., and the Newark Museum, New York.
He was granted a four year grant from the Spier Arts Trust Patronage Program (South Africa) to complete his large scale ‘Project for the Blind Astronomer ‘(2009-2013) which was exhibited at the Museum of African Design, Johannesburg, and the Stegman Gallery in Bloemfontein. Apart from various merit awards, Wilsenach won the PPC Young Sculpture's Award (1997) and the ABSA L'Atelier (2005).
Wilsenach is at present teaching as part time lecturer at the University of Pretoria and presents workshops on a regular basis at the Kunstakademie, Düsseldorf, Germany. He is currently working on a PhD in Visual Studies at the University of Pretoria on ideas around the philosophical sublime and its manifestation in astronomical cartography.

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