Born in 1876, Karlsruhe, Germany - died 1960, Pretoria.
Erich Mayer was educated in Berlin, could not afford to study art, but won a bursary for architectural training. His studies were discontinued as a result of ill health. Seeking a more healthy climate, Mayer came to South Africa in 1896 and worked as a land surveyor in the Free State. He was captured during the South African War (1899-1902) and sent back to Germany by the British. He returned to South Africa in 1911, and eventually worked as a newspaper artist in Pretoria. Here he became acquainted with Wenning and Pierneef, to whom he taught the art of woodcut.
He held his first exhibitions in 1916, and in later years travelled the country with his wife by caravan, painting rural scenes. By the late 1920’s his work became popular resulting in many commissions and exhibitions. Although he gained recognition during his career, he never reached the heights of his contemporaries during his lifetime. The works exhibited here are from his early career.





Born in 1946, Harare, Zimbabwe.
Clarke spent part of his childhood in Barberton, Mpumalanga. He completed a BA (Fine Arts, 1968) at the University of the Witwatersrand, and an MA (Fine Arts, 1981) at the University of Pretoria. He lectured at the University of Pretoria and the UNISA, and is now working independently as an artist and teacher based at his studio/gallery in Pretoria.
Clarke works on paper using pencil, pen, pastel, intaglio and digital printing processes. His enduring interest has been in the landscape, supported by his strong interest in the history and pre-history of man in southern Africa.
John has participated in major group exhibitions of work by South African artists in France, Chile, the USA, Germany and South Africa, and is represented in most of the major public collections in South Africa. Since 1975 he has held ten solo exhibitions in Pretoria, Cape Town, Johannesburg and Durban and London including a retrospective exhibition at the Pretoria Art Museum in 1992 entitled "The Stones Revisited".

Born in 1909, Cape Town - died in 2005 (Onrus) after a hunger strike of almost two months following the death of Mary, his partner of 60 years.
Born from a father that was an artist in his own right, Boonzaier rubbed shoulders with some of the most important South African artists from an early age and learned from them. Gregoire's father was dead set against a formal training in art and felt that he had more to learn from the artists around him. The boy received his first box of paints at age 13 and his own easel at age 17, putting him onto an artistic path of 80 years. By 1925 he held his first one man exhibition. His landscapes, portraits, still lifes and historical paintings now hangs in galleries worldwide.
Boonzaier was a famous exponent of Cape Impressionism, a founder of the New Group, and a contributor, through his art works, to the struggle against apartheid. For many years he regularly visited District Six and the Malay Quarter in Cape Town, sitting in the streets, painting its colourful life, and unknowingly at the time, recording it historically, before the forced removal of the inhabitants from these areas.
Boonzaier was a friend and well-known contributor to the University of Pretoria, with a bursary fund named after him, and more than 30 works donated to the institution during his lifetime.





Born 1950, in Pretoria.
Naude has completed both his BA and MA degrees in Fine Arts at the University of Pretoria. During the 1970s’ and 1980s, he was teaching art at several high schools in Johannesburg and Cape Town. He then was a part-time lecturer at the University of Pretoria from 1988 to 1998, and after that at UNISA. Since 2001 he has worked full time as an artist.
Naude has participated in approximately 30 solo and 50 group shows in South Africa and has taken part in exhibitions in the Algarve, Lisbon, New York, Washington DC, Toronto, Paris, Riberac, Hamburg and Barcelona.
The subject matter in his paintings are raked with environmental issues, hope and absurd social conditions. He plays in his work with a dark humour surrounding his subject matter and so calls attention to the more serious underlying matters.

New Publications
