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Born in Germany.

Julia Kreiss lived in South Africa from 2005 to 2008 together with her mycologist husband, Wolfgang Mayer, while his was doing research on rust fungi in FABI as a postdoctoral fellow.

Prior to their time in South Africa, Julia received her formal training in Classical Art Restoration in Germany. However, after spending one year on restoring a one square meter roof painting in a gothic cathedral, her creative spirit became frustrated and she started teaching art to children. During her stay in South Africa, FABI commissioned her to create the artwork for three of FABI’s annual Seasonal Greeting cards on themes related to research projects in FABI. The works on display are the original works created for these cards.


Acacia karoo (2006) 


Blister beetle on rust gall (2006) 


King Protea (02/2007)


Born in 1942, Vryheid, KwaZulu Natal - died in 1999.

Sibiya was inspired from an early age by ideas of the mystical and abstract as a result of frequent visits with his father to the Sangoma. The boy would ‘borrow’ some of the healers’ artefacts, attempt to recreate them at home, and return them promptly before anyone would notice their disappearance.

Sibiya grew up in the colourful neighbourhood of Sophiatown, but due to the politically motivated destruction of the area the 1950s, his family had to relocate to Soweto. He went to school in Hammanskraal where the young boy experimented with woodcarvings. Before completing his school education, Lucky introduced himself and some of his painted 'found' objects to Cecil Skotnes, who was at the time one of South Africa's foremost contemporary artists. Skotnes was head of the Polly Street Art Centre in Johannesburg and was eager to accept Sibiya as a private pupil. 

Sibiya took folklore and traditional mediums and images to a new level of sophistication. However, they maintained their raw and ritualistic feel. Over time, his wood carvings evolved towards his distinctive engravings, coloured by rubbing powdered pigments into them.

Lucky Sibiya’s works are still some of the most distinct and desirable throughout the art community, and exhibited in many galleries.


 


Born 1945, Ghanzi district, Botswana - died 1995.

The San artist Qgoma Ncokg’o was a participant of the Kuru Art Project (see below). Art was not his primary occupation and his works are rarely seen or exhibited. In 1993 one of his artworks was chosen as theme for a postal stamp of Botswana.

As a typical San artist he was fascinated by nature. He tried to capture his own perception of nature on paper as replacement for the traditional rock. His works also depicts the spiritualism of his tribe that revolves largely around natural objects.


KURU ART PROJECT

The Kuru Art Project is a project of a community trust called the Kuru Development Trust. It is situated in D’Kar, a small settlement in western Botswana. In contemporary Africa, the San artists of the Kuru Art Project bring back the role of art as an expressive outlet for their traditions and recent life experiences, as their ancestors had done in the many rock paintings all over Southern Africa.  The Kuru Art Project encourages and assists these artists by exposing them to contemporary art materials and techniques and the administration and marketing of their art which became a much needed economic resource for this group of artists and their community.

 


Born in 1969, Twee Rivieren, Kgalagadi Transfrontier Park National Park - died in 2007, on the farm Blinkwater where he lived, just outside the Park.

Vetkat Kruiper Regopstaan Boesman was a member of the Khomani San tribe who lived in the now Kgalagadi Transfrontier Park. His father was a healer and crafter in his community, and clearly had a huge impact on Vetkat’s knowledge and understanding of San culture and customs. He is one of very few San artists who sustained the ‘lost’ (according to some) tradition of San rock art, but with ink on paper as medium. The animality, spirituality and symbolism in Vetkat’s works has been the topic of several academic studies (see below).

Vetkat’s works are in private collections at the Natal Museum Services, the McGregor Museum at Kimberley and the University of Pretoria. From 2002 to 2005 his art was displayed at the United Nations (UN) as part of an exhibition of indigenous art, while his 2004 tour of the United States of America culminated in his addressing the UN.

Shortly before his death in 2007, Vetkat was invited by the Department of Built Environment at the University of Pretoria to do a solo exhibition on the UP campus. All the works on exhibit were purchased by the University, and constitutes the largest assemblage of the artist’s works in a single collection.


 


 


 


 


 


 


 


 


 


 


 


 


 


 


New Publications

Msweli D, Geerts S, Nndanduleni M, Paap T. (2025) Evaluation of phosphite to protect a South African Proteaceae from Phytophthora root rot. Journal of Plant Pathology 10.1007/s42161-025-01945-8 PDF
Dewing C, Yilmaz N, Steenkamp ET, Wingfield BD, Visagie CM. (2025) Capturing the fungal diversity hidden in Eastern Cape dairy pastures. Mycological Progress 24(1):38. 10.1007/s11557-025-02059-2
Nel WJ, Duong TA, Fell S, Herron DA, Paap T, Wingfield MJ, de Beer ZW, Hulcr J, Johnson AJ. (2025) A checklist of South African bark and ambrosia beetles (Coleoptera: Curculionidae: Scolytinae, Platypodinae). Zootaxa 5648(1):1-101. 10.11646/zootaxa.5648.1.1
Dewing C, Yilmaz N, Steenkamp ET, Wingfield BD, Visagie CM. (2025) Capturing the fungal diversity hidden in Eastern Cape dairy pastures. Mycological Progress 24:38. 10.1007/s11557-025-02059-2 PDF
Chang R, Yan Z, Jiang J, Wang Y, Si H, Bose T, Miao C. (2025) Four novel endolichenic fungi from Usnea spp. (Lecanorales, Parmeliaceae) in Yunnan and Guizhou, China: Taxonomic description and preliminary assessment of bioactive potentials. MycoKeys 118:55–80. 10.3897/mycokeys.118.155248
Lötter A, Bruna T, Duong TA, Barry K, Lipzen A, Daum C, Yoshinaga Y, Grimwood J, Jenkins JW, Talag J, Borevitz J, Lovell JT, Schmutz J, Wegrzyn JL, Myburg AA. (2025) A haplotype-resolved reference genome for Eucalyptus grandis. G3 Genes|Genomes|Genetics 10.1093/g3journal/jkaf112
Wingfield MJ, Pham NQ, Marincowitz S, Wingfield BD. (2025) Cryphonectriaceae: Biodiverse and threatening tree pathogens in the tropics and southern hemisphere. Annual Review of Phytopathology 63 10.1146/annurev-phyto-121823-030316
Magagula P, Swart V, Fourie A, Vermeulen A, Nelson JH, van Rooyen Z, van den Berg N. (2025) Avocado rhizosphere community profiling: white root rot and its impact on microbial composition. Frontiers in Microbiology 16 10.3389/fmicb.2025.1583797
Marincowitz S, Pham NQ, Wingfield BD, Wingfield MJ. (2025) Microfungi associated with dying quiver trees (Aloidendron dichotomum) in South Africa. Fungal Systematics and Evolution 16:71–80. 10.3114/fuse.2025.16.5 PDF
Pham NQ, Marincowitz S, Crous PW, Wingfield MJ. (2025) Diversity of soil-borne Gliocladiopsis from Indonesia, Malaysia and Vietnam. Fungal Systematics and Evolution 16:81–92. 10.3114/fuse.2025.16.6 PDF